Friday, December 6, 2013
The Gold Coast Art Prize 2013 opens this weekend at the Gold Coast City Gallery. I was very happy when I heard my hand cut paper work 'Resource ecology (Conserve - Develop)' was selected for the finalists exhibition. The art prize, now in its 45th year, showcases contemporary art from across Australia, with 59 finalist works on show in 2013. This year the current director of the Queensland Art Gallery and Gallery of Modern Art, Chris Saines will judge the prize.
This week a friend, Thank you Helena, contacted me to say she had seen my artwork in the Antiques and Art in Queensland magazine, advertising the art prize, a lovely surprise, Thank you GCCG.
The exhibition is on show from 7th December 2013 to 9th February 2014.
Friday, November 22, 2013
Tuesday, November 19, 2013
Over the past few years I have had the opportunity of joining in activities with many volunteers in Redlands. Collecting native seeds for propagation with bush care groups managed by Indigiscapes; sighting and recording bird species with the monthly bird watching group; and learning a little about the Seagrass Watch program in a muddy encounter at Ormiston. Each outing has been a rewarding experience, getting to know a few of the locals, who are happy to share the wealth of knowledge they have about their local environments. It's also rewarding to contribute in a small way to the valuing of environments and the regions rich biodiversity. My first exhibition at Redland Art Gallery, Plant-Life featured several works exploring the activities and sites of mainland bush care groups. In With or without I have turned my attention to the intertidal zones and water ways of the Moreton Bay Marine Park.
Mangrove Watch in Moreton Bay is a partnership between the scientific community and community volunteers who undertake training and collect data. The monitoring and collected data from this citizen science program helps with determining change, which is essential for good management of the mangroves environment.
Many of the programs are easy to get involved with, links are attached.
Saturday, November 9, 2013
'Grey matter' and 'What does green mean?' both 2013, Nicola Moss. Courtesy of SGAR.
Thinking, thinking, thinking....
When I start thinking about sustainability, what does it mean? how can I achieve it?..or more accurately, contribute towards it in a small way in my day to day living, etc....I basically find the questions keep coming, one leads to another, none of them get an easier either. But I would like to find ways of resolving some of the contradictions I have in my own lifestyle, and so the questions continue.
Don't worry, I do sleep at night. The thoughts are there percolating away in the back of my mind. At all different times and places, like every time I buy some meat from a butcher and wonder why it is so difficult to buy meat without plastic. Or when I consider my love of sushi and the disposable plastic soy sauce bottle ironically made in the shape of a fish. And most annoyingly when I come home with a plastic bag.
I have made a series of works for my show With or without that represent some of these thoughts that are often conflicting in my mind.
I began with the humble plastic grocery bag in a work titled 'Grey matter'. It features one half of a brain filled with plaited shopping bags; on the other side is a paper cut of mangrove tree top. I have plastic bags in my home still! and I value the environment.
I moved from the plastic bag to the green bag in my next work titled 'What does green mean?' There are a lot of thoughts and questions brought together in this work, beginning with the green bag label .."Made in China. 100% Poly Propylene." I started with questions of what happens to green bags when they wear out? Do they go to landfill? How do they break down? etc. There is a paper cut overlay of barnacles which references coastal environments of North Stradbroke Island where I made frottage rubbings of the rock shelf geology. I read about Charles Darwin's travels and visit to Australia, where he collected samples of barnacles from Moreton Bay; and the drag effect barnacles have on shipping resulting in reduced fuel efficiency. On the other side of the brain I thought about being an artist and trying to be sustainable in the materials I use. I don't often work with upcycled/recycled/found objects in my work, it was an area I wanted to contemplate in this series. I chose fish scales as my medium, cleaning, boiling and piercing them to be sewn over the brain motif. As several people who have seen the work commented, they make a seriously beautiful sequin effect. This area of fish scales encloses a delicate paper cut of a chemical compound motif. 'What does green mean?'
There are two more works in this series on show at the exhibition, I'll discuss them shortly. As with most art it's best appreciated in the flesh...so to speak.
With or without continues at Redland Art Gallery until the 8th December.
I look forward to hearing any thoughts or questions you may have on the paradox of sustainability.
Sunday, November 3, 2013
Partial view of With or without installed at Redland Art Gallery.
I'm exhausted, but in a good way. It's been a weekend of activity with the exhibition opening of With or without on Friday night and artist floor talks today at Redland Art Gallery. Having an opportunity to speak with viewers of the exhibition and hear their thoughts and comments seems to me to be such an integral part of exhibiting and making artwork. What would the artwork be without a viewer? So I have enjoyed many conversations and savoured the feedback from friends and new acquaintances alike.
I'd like to take this opportunity to thank my fellow exhibiting artists at Cleveland - Russell Craig and Jo D'Hage - for their kind words and support over the weekend.
Sunday, October 27, 2013
With or without opens this week and I'd like to extend you a warm invitation to come along and see the exhibition if you have an opportunity. The show will be opened by Dr Anne Kirker, Arts Consultant and Adjunct Associate Professor, Queensland College of Art, on Friday 1st November 6pm, at Redland Art Gallery, Cleveland.
There are also floor talks with the artists on Sunday 3rd November from 12 noon, with morning tea from 11am. I'm looking forward to speaking about the project and hearing your thoughts and questions, maybe see you there some time.
(Refreshments are provided at the opening if you would like to rsvp.)
Friday, October 25, 2013
It's a week till my exhibition With or without opens at Redland Art Gallery, Cleveland. All the works are wrapped and ready for delivery early next week, I'm looking forward to seeing them up together on the walls.
In the last week I've had some potent reminders of what inspired me to work on this project in the first place. The idea of sustainability, what does it really mean and how do we achieve it? It's a very complex area and yet some simple truths hold - everything living on this planet is connected, we are all part of an ecology that relies on relationships and dependencies between species and the environment around us. Sometimes the environment we draw on for our needs is global, the flip side of this is what happens elsewhere can and will influence us here at a local level.
These thoughts were brought into focus when I read an article from the Newcastle Herald by Greg Ray. 'The ocean is broken' describes in a personal account the experiences of Newcastle sailor Ivan Macfadyen. Ten years apart Ian has sailed the same course from Australia to Osaka and then on to San Francisco but with very different experiences on the two trips. The article expresses it best and is well worth a read.
I am left pondering if we are choosing to live with pollution and without life.
With or without takes a look at the conundrum of sustainability with a focus on biodiversity conservation and waste management - on a more positive note there are good stories to be shared as well!
Wednesday, October 9, 2013
When it's this quiet on the blog, you know I'm working hard in the studio. Painting, cutting, painting, cutting, painting.... all for my next solo exhibition - 'Nature waits for no one' coming soon at Salt Contemporary Art.
Sunday, September 8, 2013
One year ago I was in Hill End on an artist residency, how time flies by. Memories of the place are still strong in my mind as is the inspiration I gathered.
I've made a start to my next body of work, a series of paintings inspired by the ecology and cultural heritage of Hill End. This month has been a transitional time in the studio, packing away papers and reference material from my recently completed work -' With or without'. Re-organising the studio, pulling out the easel, revisiting journal notes, photos pinned back on the wall and ideas sparked again. I'm feeling excited and slightly nervous at this point...the anticipation of realising ideas and visuals in my mind, and at the same time thinking - "oh boy! It's been a year since I put paint to canvas" will I remember how? :-) Of course I will! but you know it's like an unknown starting point and anticipation of possibilities. I'm looking forward to seeing how the past year of paper cutting may influence the next series of paintings...I'll post some updates as the works develop.
In the meantime here is something I've been working on with the 'left over' pieces of cut paper, I mentioned here that I'd have to work out what to do with them. This colour palette of Hill End papers is something I'll be referencing while painting.
Now it's back to the easel.